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Exhibition

Each name, a story…

 

List of convicts who died on Spike Island

‘Each name, a story…’ is a powerful exhibition that brings to light the names of hundreds of men and boys who died on Spike Island between 1847 and 1883—a period defined by the devastation of the Great Famine and its aftermath. Established as a convict depot at the height of the crisis, Spike Island rapidly became one of the largest prisons in Britain, housing individuals, many driven to crime by poverty and desperation, in overcrowded conditions.

Drawing from archival sources and first-hand accounts, the exhibition offers a deeply human perspective on incarceration, exploring themes of survival, injustice and loss. It acknowledges the staggering death toll—over a thousand men are believed to have died while imprisoned on the island. Through carefully compiled data from transportation records in the Irish National Archives, ‘Each name, a story…’ presents one of the most comprehensive public lists to date of those who perished—many of whose names had long been lost to history.

Detail from Sinéad Barrett’s artwork

‘Each Name, A Story…’ was curated by Dorota Gubbins, whose work brings together archival investigation, interpretive storytelling and curatorial sensitivity to recover these long-overlooked lives.

Combining historical research, artistic interpretation and commemorative intention, this exhibition invites reflection on the human cost of institutional systems, the fragility of memory and the importance of bearing witness. It does not seek to rewrite history, but to give space and voice to those who endured its harshest realities.

The exhibition is enriched by the work of artist Sinéad Barrett, who served as artist-in-residence on Spike Island in 2023. Sinéad’s series of evocative paintings responds to the psychological effects of isolation and imprisonment, using cold, desaturated tones and recurring motifs—windows, locks, chains—to reflect the mental weight of confinement. Her work serves as a contemporary response to historical trauma, creating a poignant bridge between past and present.

The names were sourced from the Transportation Register (1836–1857) held in the National Archives of Ireland, while the design was inspired by prison ledgers from that period, including those from Spike Island.


This year’s exhibition is proudly presented as part of the 2025 Cork Harbour Festival, celebrating its 10th anniversary from 24 May to 2 June. As one of over 100 events spanning the city and harbour, the exhibition contributes to Ireland’s largest celebration of maritime culture, storytelling and art by spotlighting a significant chapter in our shared history—one rooted in the harbour’s own island prison.

 

 

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Exhibition

The Smell of Crime

Meet Our Artists-in-Residence: Liam Lavery and Eithne Ring

Spike Island is proud to welcome Liam Lavery and Eithne Ring as our current Artists-in-Residence.

About the Artists: Liam Lavery and Eithne Ring, LaveryRing, have been collaborating for over 25 years, working with a wide variety of materials including cast bronze, aluminium, steel, glass, enamelled copper, and printmaking. The focus of their work is site-specific, delving into the history, myths and geographical influences of each location. By transforming these elements, they weave patterns of reference into tangible, context-rich artworks. Notable examples of the work are ‘The Wave‘ at the Lusitania Memorial, Old Head of Kinsale and ‘Strongbow & Aoife‘, in the Viking Triangle, Waterford.

Residency Focus: During LaveryRing’s residency at Spike Island, Liam and Eithne will delve into the rich tapestry of Spike Island’s history by crafting an immersive experience centred on the olfactory senses. This project will blend the evocative power of scents with other mediums such as printmaking and sculpture, creating a multi-sensory narrative that reflects the human experience within the confines of Spike Island’s prisons.

Upcoming Event: Pop-up exhibition and Artists Talk | Spike Island | 23-25.08.2024
On these days you can meet the artists and see their work in progress while gaining insights into their creative process.

Artists’ Statement:By connecting the stories and history of the prison with scents, we hope to stimulate dialogue and give the viewer a deeper level of insight into the lived experience of those who were incarcerated within its prison walls.

This innovative approach aims to engage viewers on a multisensory level, enriching their understanding of the site’s historical context.


Liam Lavery and Eithne Ring’s residency at Spike Island has brought a fresh perspective to the island’s storied past“, said Spike Island’s curator, Dorota Gubbins. “Through their innovative approaches, they highlight historical events and individuals, presenting them in a way that redefines our understanding and appreciation of this historic site.

THIS PROJECT IS THE RESULT OF A COLLABORATION BETWEEN SPIKE ISLAND, SAMPLE-STUDIOS AND SIRIUS ARTS CENTRE.

 

 

 

Click here to watch the video on YouTube.

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Exhibition

Decade Foyer

This exhibition results from a groundbreaking course undertaken by prisoners from Cork Prison in collaboration with University College Cork (UCC). Developed by HSE Addiction Services, UCC, and James Leonard of ‘The Two Norries’ podcast, this module is the first UCC-accredited course in Substance Misuse and Addiction Studies offered within an Irish prison.


UCC/HSE Level 7 NFQ Diploma in Substance Misuse and Addiction Studies Module (SS184): Understanding Drugs in a Social Context

Approach: The module uses a Universal Design for Learning (UDL) approach to assessment, aimed at attracting a diverse range of adult learners in the prison education unit. This method supports multiple means of performance, expression and representation, ensuring that all students can demonstrate their understanding in varied ways.

Content: Students study major psychopharmacological substances, both licit and illicit, including alcohol, antidepressants, anti-psychotics, benzodiazepines, hallucinogens, hypnotics, cannabis and cannabinoids, opiates, and stimulants. The course covers routes of transmission and the physical, mental, social and legal impacts of substance misuse. It also explores substance use on a continuum from no use to severe dependence and its effects on individuals, families, communities and society. Critical examination includes historical and socio-cultural understandings, abstinence approaches, harm reduction, safer injecting facilities and medical uses of controlled substances.

Aims: The course aims to equip students with knowledge of commonly misused substances, differentiating between substance use, misuse, dependence and addiction. It addresses the pharmacology of drugs and their biological, mood, behavioral and cognitive impacts. Students are engaged with Irish drug and alcohol policies and historical perspectives on substance misuse. The course introduces theoretical models of addiction, including the Moral, Bio-Medical, Disease, Psychological, and Socio-Cultural Models. It also evaluates non-substance-related addictions, such as gambling, gaming, and internet use, along with their treatments. Additionally, the course discusses critical issues affecting individuals with co-occurring substance misuse and mental health disorders.

Assessment and Learning Outcomes: Assessment includes continuous evaluation and an Object-Based Learning (OBL) project.
Supported by Cork ETB art teachers and an art therapist, students created final assessment artefacts that reflect their learning journey.

Transformational Learning: This exhibition showcases these artefacts, providing evidence of the students’ engagement and understanding. It aims to evoke curiosity, wonder, and appreciation for the transformative power of education within the prison environment.


 

The Inside Out Project

The Inside Out Project comprises both ‘outside students,’ who are second- and third-year BA students from the Department of Sociology & Criminology at UCC, and ‘inside students,’ who are students from the Cork Prison ETB Education Unit.

This project is designed to break barriers and prejudices, offering all students a unique opportunity to study together as peers behind prison walls.

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Exhibition

Decade Unheard by Most

Unheard by Most

Doors slamming, alarms beeping, keys clanking….. doors slamming.

Unheard by most, yet our everyday soundtrack. This unique soundscape, crafted by students and their teacher at the Cork Prison Education Unit, captures the essence of life within the prison walls. Recorded inside the prison, the piece offers a glimpse into the daily auditory experience of the student. The students believe this soundscape provides an authentic insight into the distinctive sounds of prison life.

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Exhibition

Decade Textiles and Ceramics Project

The general theme progressing through the textiles and ceramics component of the exhibition is based on our relationship with the sea. Ideas were nurtured by looking closely at Ernst Haeckel’s weird and wonderful world of creatures and his rendering of natural geometric structures. Working with Visual Thinking Strategies, the UCC Artists and The Sea series of lectures delivered by Dr James Cronin, the conversation delved into the world of Environmental Art and Climate Change.
The integration of ceramics and textiles was cultivated through a collective group project and is the consummation of a year’s parlance with artistic discourse.
This cell displays work by the Ceramic, Textile and Pyrography class in Cork prison. Each piece has been worked on by a number of students to promote a sense of community and collaboration through group work.

‘Artists and the Sea’

The creative expressions you experience in this exhibition are the fruits of learning through dialogue with students in Cork prison who participated in a short course, facilitated by University College Cork, entitled: “Artists and the Sea”. This six-week course explored the different ways in which artists chose to make use of the sea in their works.
The sea is used to evoke a full spectrum of human emotions: peace, optimism, adventure, fear and grief. Some depictions are hyper-real, while others simply suggest the flick of a brushstroke.
Artists often illustrate humanity’s use of the sea and what that represents; from the labours of fishing communities through to the vessels upon which journeys began, conflicts took place and lands were discovered or abandoned.
There is one theme, though, that appears universal; the sea’s vast and unknown nature means it will never be fully tamed or understood.

Dr James Cronin | Course facilitator
University College Cork

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‘Sceal Scaol’

As you enter the cell you are drawn to an embroidered life jacket decorated with text, drawings and textures. Inspired by a workshop facilitated by Max Porter as part of Sounds From A Safe Harbour and delivered to the women of the Dillons Cross Project, it unravels fragments from their life stories.

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‘The Home Project’

Advancing with narrative, the house embellished with pyrographic script exposes the subject of homelessness, displacement and destruction of the home. Inspired by various nationalities in the prison it brings together the universal meaning of home.

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Exhibition

Decade

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Exhibition

Florico-Island

Spike Island presents a new solo exhibition by Florin Nolan entitled Florico–Island

Florin Nolan, a visual artist born in Romania and adopted by Irish parents, is deeply connected to Cobh, Ireland, where his father served as a prison officer on Spike Island. His works, exhibited throughout Cork City and County, are enriched by diverse cultural influences.

Florin uses acrylic and ink to create dreamlike architectural visions of Cobh and other landmarks. His pieces explore personal identity, memories and everyday life, inviting viewers to rediscover familiar sights through his expressive interpretations.
Florin also sculpts colourful, joyful figures that reflect his journey from a Romanian orphanage to life in Ireland. These characters often appear in his paintings and weave his visual autobiography. This theme is echoed in the stop-motion film, Spotty The Ladybird, that Florin was supported in production.

Florin’s artistic journey began with pastel chalks and watercolours in childhood. He developed his practice through Suisha Arts’ Community Employment Scheme and now works as a freelance artist at The Orchards Studio Space at Cope Foundation. In addition to visual arts, Florin is a passionate performer and dancer, participating in Suisha Arts Theatre Collective and Inclusive Dance Cork.

He advocates for the rights of people with disabilities in arts and culture and stars in the Decision Support Service public information campaign, promoting the Assisted Decision-Making (Capacity) Act 2015.

Location: Punishment Block, Spike Island
Date: 20 July–14 September 2024
Curated by Dorota Gubbins (Spike Island)

This exhibition is the result of a collaboration with Cope Foundation, Suisha Arts and Cork Prison.

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Exhibition

Deep Time

Backwater Artists Group will present the work of four members Ciara Rodgers, Andrew Carroll, Anna Barden & Tina Whelan, as part of the Cork Harbour Festival 2024. The exhibition will explore maritime themes, the history of the Punishment Block and Fort Mitchel at Spike Island and the fort’s unique position in Cork Harbour through the mediums of drawing, performance, print and video. The opening event will include a performance by artist Ciara Rodgers, which will take the form of performative drawing actions engaging with the historical, physical and sensorial qualities of the building. The resultant drawings will be exhibited amongst the two spaces.

Find more information about the artists on their profiles. Follow the links below:

Andrew Carroll | Tina Whelan | Ciara Rodgers | Anna Barden


Cork Harbour Festival: 2 June – 7 July 2024

Cork Harbour Festival is the largest annual event in Cork Harbour offering a week-long celebration of Ireland’s maritime culture. The festival features over 80 different events – taking place in Cork City as well as in 15 harbour towns and villages.
Founded in 2015, the festival celebrates Cork Harbour as a natural and cultural resource, with the communities and their stories at the heart of it. Throughout festival week there is a huge variety of events to dive into, from water activities to guided walks, open days to open sails, seafood tasters to seaweed foraging and so much more.
Cork Harbour Festival attracts some 25,000 visitors from across Ireland and beyond.
Find more information about this year’s programme here.

 

At Spike Island, we are delighted to uphold our collaboration with Backwater Studio and contribute to this year’s involvement in the Cork Harbour Festival, celebrating Cork’s unique maritime heritage. Our venues feature exclusive art spaces housed within historic heritage buildings, boasting a storied history of nearly two centuries.
Led by Spike Island’s curator, Dorota Gubbins, our focus on heritage and the arts drives the coordination of diverse events.
Annually, Spike Island welcomes approximately 70,000 visitors from Ireland and around the globe.

 

Backwater Artists Group is an artist-led organisation, located on Wandesford Quay, in the heart of Cork City. Our mission is to support and advocate for visual artists, allowing them to thrive and to foster a deep appreciation and enthusiasm for the visual arts within the community and to keep sites of production at the heart of Cork city.
We are a key fixture in Cork’s cultural landscape and we sustain a thriving visual arts community. Since our inception in 1990, we have supported the practices of over 500 artists, including 150+ early career artists.


Exhibition Title: Deep Time
Artists: Andrew Carroll, Tina Whelan, Ciara Rodgers & Anna Barden
Dates: 2 June-7 July 
Opening Event: 4 – 6pm, Sunday 2nd June
Location: Punishment Block, Spike Island

 

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Exhibition

Programme for 2024

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Exhibition

Deserted Schools of Ireland

SCHOOLHOUSE ruins are a common sight in the Irish countryside. Within their collapsing walls, lessons were learned and friends were made. Belief systems, traditions and moral codes were imprinted on young minds.

SPIKE ISLAND NATIONAL SCHOOL—constructed from corrugated-iron, was not of the typical designs supplied by the Office of Public Works at this time, with corrugated-iron rarely if ever being used as a building material for schools. Given it’s atypical design it is quite likely that the OPW were not involved in the construction of the school. This may be due to the fact from 1938 to 1979, the Irish Army, especially the Artillery Corps, Coast Defence Artillery (C.D.A.), were garrisoned Spike Island, primarily to man the six-inch guns.

The building was a three-roomed school house, with classrooms divided by sliding screens.
Off a long, central corridor were cloakrooms and bathrooms. The building itself was located at the edge of an old quarry and sheltered to the south by the imposing military fortifications.

ENDA O’FLAHERTY’s work as an archaeologist has brought him to the most isolated parts of Ireland, where he noticed and grew ever more intrigued by these ever-present features of the landscape. He began actively seeking them out, photographing over 240 schools in total, researching their histories and interviewing those who attended them.

Speaking ahead of the launch of the exhibition, curator Dorota Gubbins said: “Each empty building has a story to tell, and gathered in this thoughtful collection, they whisper a poignant narrative of a disappearing Ireland – of changing needs, desires and ways of life.”