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Punishment Block

The Punishment Block is the only purpose-built cell block in the Fort. It was built in response to the murder of Warder William Reddy in 1856.

Work began in 1858 using local limestone with military and convict labour, and it was opened in 1860.

Punishment Block Spike IslandIt consisted of twenty-eight solitary confinement cells and housed the ‘Penal Class’, considered the most dangerous prisoners. They were heavily chained and clothed in black from head to toe, with a veil hiding all but their eyes.

Punishment Block Spike IslandConditions inside the block were the harshest inside the prison. At first, the cells were furnished with only a stool and convicts slept on the floor.  Prisoner descriptions of medieval conditions in a Victorian prison outraged many.  There were several suicide attempts and the block was the main reason that Spike Island was described as “Hell on earth” by the penal classes.  A sentence to Spike Island was the worst time any offender could do, and this was largely attributable to the Punishment block.

During the convict era 1847-1883, it housed political prisoners who were guilty of ‘treason against the Crown’.

Today, visitors can see the Guard room and learn how archaeologists worked on the site. The Dark Cells can be explored by torchlight, while the modern solitary cells are also on view which were in use right up until 2004. The cells of Irish nationalists Patrick Tierney and John Mitchel are both recreated, and the upstairs rooms of the block contain an art exhibition of prisoners artwork created in the 1980’s and 1990’s.

CHILDREN’S PRISON:

Punishment Block Spike IslandBefore Victorian times there was no distinction between age groups when it came to crime and punishment, but during the 1850s when Spike Island’s prison population had swollen to the largest in the world, people began to discuss the need for prisoner reform rather than punishment.

Conditions would slowly improve for child convicts and by the time Spike Island’s 19th Century prison was built it was decided to at least separate the adults from the children.  But a sentence on Spike Island was still very hard for the 100 children who were held in the childrens dormitory.  Long chains were hung from the ceiling and they supported several hammocks in which the children would sleep, having to scamper up the chains to their designated bunk.

Sadly not all children made it off the island with many succumbing to the difficult conditions.  A good many would have arrived already weak from the famine conditions which had gripped Ireland in the late 1840s.

Punishment Block Spike IslandThe building used to house the boys became the shell store for the fort, used to protect the ammunition from enemy shells.  Today the building houses a re-creation of the cells identical to those on a convict vessel.  These convict ships were moored in Cork harbour and transported prisoners from Ireland to overseas.  There are also video installations telling the stories of three generations of Spike Island prisoners seperated by 3 centuries.  Next to this is our John Mitchel room which tells the story of the nationalist after whom the fort is named.

Our social history rooms have many interviews with the former residents of the island and the adjoining Cork harbour room has old maps from the harbour and an interactive audio display where you can steer a ship into Cork Harbour and use the cannons on Spike Island to defend the harbour!​

This fascinating building with its tragic past and modern interpretation is not to be missed on a visit to Spike Island.

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Spike Island Chalice

Spike Island ChaliceA silver-plated chalice and paten were used in the convict chapel on Spike Island between 1848 and 1883.  It was used at the weekly mass on the island and it served the most notorious murders and brigands as well as the forts military men and prison officers.  Religion gave spiritual relief to the unfortunate convicts and was seen as a very important part of their rehabilitation journey.

When the convict depot on Spike Island closed in 1883 the remaining convicts were transferred to Mountjoy Jail prison in Dublin. The chalice and paten were also transferred to Mountjoy where they were used for religious services for over a century.

Spike Island ChaliceThe beautiful chalice is emblazoned with the Spike Island name and uniquely has the words ‘Convict Church 1848’ engraved on it, a rare distinction.  Both items were generously donated to the Spike Island museum by the Irish Prison Service in 2017 and are now on display in the Punishment Block on Spike Island.

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Old Cork In Colour

The Old Cork in Colour exhibition is the result of a collaboration between Spike Island and the authors of the hugely popular ‘Old Ireland in Colour’ books, Professor John Breslin and Dr Sarah-Anne Buckley.

The authors have used their digital and research skills to identify and colourise over thirty images from the city and county of Cork, many of them being colourised for the first time. There are ten images taken on Spike Island that showcase its rich past, as a military, penal and social space, while the remaining twenty images include areas like Cork City, Cobh, Kinsale, Bantry, Bandon and Cork Harbour.

John was able to make use of a computer-based “artificial intelligence” system called DeOldify that does an initial colourisation of a black and white photograph in a short period. After that, he manually colourises various aspects of the photograph in Photoshop to correct any incorrect colours—such as uniforms, eyes, hair, etc.—based on any records or research he or Sarah-Anne can find. For uniforms, John and Sarah-Anne contacted several uniform specialists in Ireland and the UK to find out about various shades of khaki, green, etc. for those British and Irish uniforms that he had colourised from around the WWI time frame. For eyes, hair, etc. he consulted portrait paintings, Ellis Island travel records, biographies, prison records, family members and any other relevant records where available.

Often the details are unknown, so you must choose a colour that looks right or that seems to match the shade of grey in the original photo—there is a certain amount of interpretation here, but it is usually based on commonly worn colours, building materials, etc. from the period, statistics on eye colours in certain countries, and so on.”


The exhibition is on display in Mitchel Hall until November 2022.
Curated by Dorota Gubbins.

From left, Dorota Gubbins curator and John Crotty general manager, both Spike Island and authors Dr Sarah-Anne Buckley and Professor John Breslin, both NUI Galway, at the official opening of the exhibition 'Old Cork in Colour' on 12 April 2022. Photo: David Keane

From left, Dorota Gubbins curator and John Crotty general manager, both Spike Island and authors Dr Sarah-Anne Buckley and Professor John Breslin, both NUI Galway, at the official opening of the exhibition ‘Old Cork in Colour’ on 12 April 2022. Photo: David Keane


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Hold Fast

Hold Fast. As part of the Cork Harbour Festival and in collaboration with Backwater Artists Group, studio member Seán Hanrahan presents a body of work in two of the cells, of the former Punishment Block in Spike Island. The work reflects on the maritime theme of tattoos, which are perhaps one of the most recognisable visual forms, when we think of the culture of sailors. Tattoos are also very much part of prison culture. The exhibition will reference popular images of tattoos, such as the nautical star, anchor and swallows and explore the correlation between both cultures, in relation to this theme.

HOLD FAST: Physically, the term Hold Fast means to bear down and fight through the storm, it also indicates a sailor’s career as a deckhand, by the tattoos on their hands of the same name.

Sean Hanrahan Artwork Hold Fast Spike Island


Sean Hanrahan Hold Fast Spike IslandAbout Seán Hanrahan
Seán Hanrahan is a multidisciplinary artist based in Cork city, working in print, photography, installation & collaborative practice. My studio practice is at Backwater Artists Studio where I am also a board member. I have been a member of Cork Printmakers for 15 years, where I have worked on several projects & exhibited internationally. Recent projects/exhibition – Artist in residence at IMMA (Irish Museum of Modern Art) where I produced a site-specific flag Project Memory Anthem for IMMA’s A Radical Plot residency program August-October 2021. Facebook Artist in Residence (AIR) program, where I produced a large-scale mural for their Cork Oculus laboratory offices. In 2018 I co-curated Aрка/Arch exhibition of Belarusian graphic work with Belarusian Artist Roman Sustov, Studio 12 Backwater Artists, Cork IRE. HALFTONE 16, 17, 18, 20, 21 The Library Project, Dublin IRE. The 188th RHA open submission exhibition, Dublin IRE. Solo exhibition Night Frightens the Day/Калі ноч палохае дзень VCCA (Centre for Contemporary and Modern Art) Minsk, Belarus. Over the Sun, (Kazimir Malevich’s influence on western Artists), initiated and curated by Seán Hanrahan. Participating artists Seán Hanrahan IRE Dominic Fee IRE and Josh Dannin USA, Vitebsk Gallery of Modern Art (V.C.C.A.) Vitebsk, Belarus.

xhanrahan.com


Holding fast, in cells and on high seas | Podcast by Ellie O’Byrne

Source: Tripe + Drisheen


Backwater Logo Hold Fast Spike IslandAbout Backwater Artists Group
Established in 1990 by artists for artists, Backwater Artists Group provides high-quality, affordable studios with security of tenure, access to facilities and developmental support for over 70 visual artists. We ensure a stable, supportive working environment for artists and we are committed to ensuring that artists develop the skills needed to establish, expand and sustain their studio practice.  Through our Studio 12 exhibition/project space, we support studio and non-studio artists and aim to increase collaboration and engagement with the wider artistic community and the general public through exhibitions and outreach events. The Backwater Artists Network (BAN) offers a shared city centre focal point and opportunities to connect for professional artists working in isolation from studios in their own homes or in single privately rented studios.

backwaterartists.ie



Spike Island Logo Hold Fast About Spike Island

Spike Island offers unique art venues within the prestigious heritage buildings whose history spans almost two centuries.

Dorota Gubbins is the curator at Spike Island with her primary focus being on heritage and arts. This has led to organising and facilitating a great variety of events.

 

 

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Captain Patrick White

A fallen son of Ireland

Captain Patrick White was a former carpenter who became active in the Irish War of Independence.  Following arrest, he was sent to Spike Island on the 12th of April 1921,  from Cork Male Gaol.  White was in his mid-thirties and a captain in the Meelick Company of the East Clare Brigade of the IRA, having been involved with the Irish Volunteers since 1914.  He was among a group attempting to meet the gun-running ship the Aud in 1916, only to hear of its capture and later sinking close to Spike Island.  It was after participating in an attack on Crown Forces at Cartloe, Clare, in which two RIC officers were killed, that White was apprehended, along with his friend Thomas Ringrose.  Both men suffered the trauma of being used as human shields on British convoys, to prevent their fellow IRA members from attacking the vehicles for fear of injuring them.  It was a relief to both rebels to be taken off the mainland to Spike, White reportedly saying to his friend Ringrose ‘We are safe now’.

Shot while playing hurling

There was nothing unusual about the day, or the playing of sport in the prison compound, which was separated from the parade ground and patrolling armed guards by a 15 foot high barbed wire fence.  Games typically took place in the late afternoon, ahead of the 8pm order to head indoors.  Just before 6pm that evening the men knocked the ball among them until it went astray, rolling under the wire towards the parade ground where it stopped.  Patrick White was closest and he ran to retrieve the ball, reaching to free it, when a sentry standing nearby raised his gun, pulled the trigger, and shot Patrick White.  The shot rang around the fortress, startling birds and stunning the men who had been playing hurling with Patrick.  After a moment of disbelief Patrick’s fellow internees rushed to his side.  Prison guards raced to the location of the sentry, to ascertain what had happened.  The internees saw the camp commandant quiz the soldier and insist he unload his weapon, before he was removed.  The camps military doctor came to begin first aid, but the equally sudden arrival of the prison chaplain, Father Callanan, was an ominous sign.  Patrick White’s comrades stood back and prayed, fearing the worst, and those fears seemed realised when the chaplain began administering the last rites.  White was lifted into a stretcher and carried to the prison hospital where the medical attendant fought to save him, but the bullet had done its work.  Patrick White died of at approximately 7.20pm, murdered while imprisoned on Spike Island Cork.

Home to County Clare

White’s body was taken to the A block, where his countrymen held a vigil guard of honour overnight, not leaving him alone for a second.  Hut one, A block, Spike Island, was a place of pain and suffering that night, as the soldiers of Ireland stood over their fallen friend, distraught and mute in disbelief.  The following morning at 8.30am the cold body of Patrick White was lifted to the prison chapel, where a mass was held in solemn silence.  When it ended his friends lifted the body back to hut one where it remained for two more days, while arrangements were made.  On June 03rd, three days after the shooting, the body of Patrick White, now in a simple timber coffin, was brought once again to the prison chapel for a requiem Mass, before being carried by his fellow prisoners from the chapel towards the pier.  Every single one of the prisoners and internees well enough to be present were there, lining the parade ground in tribute as the coffin passed.  A select few of his fellow internees were permitted to carry his coffin beneath the forts entrance, out beyond the walls of the prison that confined him to catch sight of the mainland he was deprived of.  An Ireland he had fought to free.  On arrival to the pier they loaded his coffin on to a waiting ship, and turned to march back to captivity, looking over their shoulders as Patrick White, friend and fellow Republican, was taken on his last journey.  His body was transported to Cobh where it was sent by train to his hometown of Meelick, County Clare, to be buried by his family.  They might have feared, but could never have foreseen, that the next time they saw their relation following his arrest, would be at his burial.

 

The IRA internees and prisoners made their way to their huts that evening in low, angry mood.  They were aware that an investigation was being held on that very day, 03rd June, expedited in the hope that some form of action would reduce the risk of reprisal.  The very first person called to speak at the Military Court of inquiry was the only person who truly mattered – Private Whitehead, Second Battalion, Kings Own Scottish Borderers, who had been standing at number two sentry post when Patrick White approached the wire, and he shot White dead.  His words were calculated and simple;  “My orders were to fire at any internee tampering with the wire.  The deceased was stretching out his hand through the wire to get a ball.  In accordance with my orders I fired at him and hit him”. His defence stated that sentries had received written orders to fire without warning on a prisoner if they interfered with the wire.  With such a clear instruction and a calculated and calm claim of innocence from the soldier, the inquiry concluded; “That the deceased was himself to blame, in as much as he tampered with the wire surrounding the compound in defiance of orders”.

It was an unfair verdict on White, and its true causes were clear to the IRA.  There had been a serious assault on British soldiers in the nearby town of Youghal, in East Cork the morning of the shooting.  A roadside bomb planted by the IRA was detonated as the band of the Hampshire Regiment passed, seriously injuring twenty and eventually killing seven.  The attack incensed the armed forces, in particular the use of a roadside bomb, and when the news reached the British armed forces tasked with guarding Spike Island’s Republican prisoners and internees, the outcome seems clear.  Patrick White was murdered in cold blood in reprisal.

It can never be proven, and no justice was ever served.  The young Captain is remembered on the island for his service, and paying the ultimate price, in the fight for Irish freedom.

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John Patrick Leonard

John Patrick Leonard

An influential Spike Islander in Paris

On the 12th of October, 1814, John Patrick Leonard was born on Spike Island, the result of his father’s employment as an engineer working on nearby Haulbowline Island.  His father passed away when John Leonard was just four and he was raised by his uncle P.J Leonard, an Irish Christian Brother who founded schools in Cork.  As a teenager the young John was sent to school in France, at Boulogne-Sur-Mer, and so began a lifelong love affair with France.  He was back and forth between the nations until he settled in Paris in 1834, first studying medicine at which he failed miserably.  He moved into studying English language and literature and became a teacher, at which he fared little better if the 1844 inspectors report from his school in Sens is to be believed.  He was described as having an;

Offhand manner.  Mr Leonard is a feckless man and lover of disorderly pleasures.  Inconsistent and prodigious with his money, he is not held in much esteem.  Often, pupils that are docile with other teachers show him no respect and partake in acts of indiscipline in his presence.  This teacher lacks authority and leadership”. 

 Clearly, if John Patrick Leonard was going to make a positive impression on his country of choice, it would not be in the field of academia.

 

John Patrick Leonard

A friend to Fenians and revolutionaries

Fortunately for Irish interests, his passions and talents lay elsewhere.  Despite his modest station, Leonard was extremely skilled at networking among France’s elite, and he curried favour with some of the leading lights of French society.  Foremost among his friends were Marshall Patrice MacMahon and Adolphe Thiers, both future Presidents of France.  He counted the Bishop of Orleans as a close friend, and no doubt a useful ally.

Maximizing these connections, Leonard was endlessly generous with his time in the advancement of Irish Nationalism.  He became known as the unofficial Irish Ambassador for the remaining decades of his life.  He petitioned the French government to intervene in the deportation of the leaders of Ireland’s 1848 rebellion and welcomed many of them to France.  Men like John Mitchel, who he befriended and accompanied to present an Irish sword to the French President in 1860.  He stood in for Mitchel at his daughter’s funeral, as the exiled nationalist had returned to America when she died.  John Patrick Leonard became aqquainted with the aging United Irish exiles, like William Corbet and William Smith O’Brien, just as readily with the new breed of Young Irelanders – Charles Gavin Duffy, John O’Leary, John Devoy and James Stephens, a whos who of 19th century Irish rebellion.

John Patrick Leonard

Paris had become something of a university of revolution for Irish nationalists, some of them exiled from Ireland.  Here they could converse freely without looking over their shoulders, not something they could do back in Ireland.  The Emperor Napoleon III considered their presence useful, something of a bargaining chip with the British, so the Irish were viewed with a mixture of fascination and trepidation.  John Patrick Leonard became the focal point of these rebels, Irish nationalists visiting France like Thomas Francis Meagher, who Leonard brought to the cafes and restaurants of Paris, facilitating meetings.

It was with Meagher and another nationalist, William Smith O’Brien, that Leonard made arguably his enduring contribution to the Irish cause.  Meagher was in France to study the learning’s of their revolutions, and Leonard was entertaining the visitors.  He took the trio to the theatre to see ‘Phedre’, a French tragedy involving the lead actress singing a stirring version of the Marseillaise, while waving the French tri-colour.  Meagher was said to be most moved, and saw the value of the symbolism.  Prior to returning to Ireland, Meagher was presented with a green, white and gold tri-colour, woven by a group of sympathetic French women at the behest of Leonard, taking the French flag as it guide.  It was this tri-colour that the returning Thomas Francis Meagher waved over the Mall in Waterford in 1848, in what was the first ever public outing of what would become the Irish national flag.  Meagher would tell those present;

‘The white in the centre signifies a lasting truce between Orange and Green.  I trust that beneath its folds the hands of the Irish Catholic and the Irish Protestant may be claspied in generous brotherhood’.

 

John Patrick Leonard

It is not recorded who exactly decided the choice of green, white and gold, but it is difficult to imagine Leonard being far removed from the decision making.  With respect to the French ladies who forever since have been reported as crafting the flag, the work was completed at Leonard’s behest and it is decidedly unlikely they came up with the design.  Tri-colours of various arrangements had been recorded in Ireland as early as 1830 when they were used in cockades and rosettes – knotted ribbons and pinned badges.  The use of the colours and the deep symbolism of the green, white and gold suggest a deeper Irish understanding.  It is possible it was solely Meagher’s, O’Brien’s or Leonard’s design, but the more likely situation is it was the three men who came to the design in unison, arguing the various points following their trip to the theatre prior to having it locally fashioned.

There is no questioning it was Leonard that directed the first flags fabrication, and the ceremonial nature of its presentation.  As he had for decades before and after, John Patrick Leonard was pulling unseen strings, waging his own soft war, and representing on behalf of the Irish nation.

He is remembered on Spike Island as an ex-resident who did much for the Irish cause.

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Mitchel Hall

Mitchel Hall Spike IslandMitchel Hall was completed in 1851 by the convict and civilian labour and the wider ‘C Block’ as it was known housed convicts sent from Mountjoy Prison in Dublin.  The central hall was used as an Anglican chapel until the prisoners left in the late 1800s.  This attractive building with its ornate facade saw its central hall used for dances by the island residents on Friday evenings, be they the families of soldiers or prison officers.  Former residents tell stories of great excitement leading up to the dances during the Irish army period, from 1938 to 1985, when dresses would be ordered from Selfridges in London for the big event.  The British servicemen held coronation balls to celebrate the arrival of new monarchs.  It has seen marriages and many other events celebrated down the years.

Part of the block was used by the army for married quarters.  After 1985 the northern half of the block was used as a prison school, while the southern half was used as prison officers quarters.  Many prisoners and even the teachers have relayed fond memories of the classes they attended in the C Block during this time, with many of the works created in the art classes on show in the islands Punishment Block.

Mitchel Hall Spike IslandToday the block houses temporary art exhibitions and holds concerts in its former Anglican church, while the adjoining rooms hold an auditorium and a Spike Island social history exhibition.   The ground floor ‘Independence’ exhibition on the north side of the building tells the story of the path to Irish freedom from 1914 to 1921.   There are also rooms dedicated to the Irish Army, Naval Service and Air Corps as well as our Little Nellie exhibition.

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Artillery Collection

Our military Gun Park has over a dozen exhibits used in coastal defence spanning over 300 years of warfare, as well as a recreation of the Battery Observation Post which would have targeted the guns on Spike Island.  It is much loved by military enthusiasts and children alike!


12-pounder SMOOTH-BORE Cannon

Gun Park Spike IslandRange: 1,760 yards (1,600 metres)
Manufacturer: Walker & Company, Sheffield, England
Dates in Service: c1760-1800

This 12-pounder muzzle-loading smooth-bore cannon is the earliest example of the guns that were deployed on Spike Island. It fired grapeshot, shrapnel or a cannonball weighing 12 pounds (5.44kg) up to a range of 1,760 yards (1,600m). To load the cannon, a cartridge of gunpowder, followed by a steel ball and lastly, a wad was rammed down the barrel. To fire the cannon, a flame or flint ignited the charge which detonated the gunpowder forcing the cannonball out of the barrel at great speed. This one and the two outside the main gate were buried vertically on the pier as bollards.


7-inch Rifled Muzzle Loading Cannon

Gun Park Spike Island

Calibre: 7-inch (180mm)
Range: Up to 2.000 yards (1.830 meters)
Manufacturer: Woolwich Arsenal, England
Dates in Service: 1865-1890

This is an example of one of the earliest rifled cannon. Rifling is the process of cutting spiral grooves into the inside of a gun barrel. Rifling puts a stabilising spin on the projectile as it moves through the barrel thus improving accuracy and range. Three of these 7-inch cannon were deployed on Spike in the mid-1860s, one on each of the bastions facing Cobh. Three 11-inch versions were later deployed on the three bastions facing the harbour entrance.


Battery Observation Post (BOP)

The Battery Observation Post on Spike Island was the Fire Control Centre for the two 6-inch guns on the island. It was where the essential information of an attacking ship was gathered and processed. This included the ship’s position, range, speed and direction of travel. This data was converted into an elevation and direction for the aiming of the guns together with the correct charge. The charge provided the explosive power to ensure the projectile reached its target. The guns could operate independently when the target was in view and within range of the gun’s auto-sight. The underground Battery Observation Post on No. 3 Bastion is open to visitors.


18-pounder Field Artillery Gun

Calibre: 3.3 inch (83.8mm)
Range: Up to 6525 yards (5966m)
Manufacturer: Vickers Armstrong, England

The first version of this gun with cartwheels was manufactured in 1904. The QF 18-pounder guns were the first artillery pieces acquired by the Defence Forces in 1922. Initially, on loan from the British, they were purchased the following year. These guns formed the backbone of the new Irish Army Artillery Corps. Steel wheels with pneumatic tyres, as seen here, were fitted during the 1930s. This allowed the guns to be towed by motorised vehicles. The guns were taken out of Irish service in 1974.


4.7-inch QF Gun

These impressive 6 inch guns were buried deep in the fort by the Irish army and could fire a shell 12 miles!Calibre: 4.7-inch (120 mm)
Range: Up to 13.123 yards (12.000 meters)
Manufacturer: Elswick Ordnance Company, England
Dates in Irish Sevice: 1938-1947

4.7-inch QF (quick-firing) guns have naval origins dating back to the 1860s and were
adapted for land use in the 1890s. In Ireland, 4.7-inch guns were deployed to Fort Dunree, Co.
Donegal and Reenduff Battery on Bere Island, County Cork. This particular 4.7-inch gun was obtained from Britain by the Irish government circa 1942 for the defence of Galway port. It was never
deployed. Here at Fort Mitchel, there are two of the larger 6-inch guns, now fully restored and on view under No. 2 and No. 4 Bastions.


12-pounder Gun and Shield

Calibre: 3 inch (76.2mm)
Range: up to 8,000 yards (7,315 metres)
Manufacturer: Elswick Ordnance Company, England
Dates in Service: 1938 – 1947

12 Pdr quick-firing (QF) breech-loading (BL) guns were designed in the 1880s. BL guns are fully operated at the rear and are quicker to load and have greater range and accuracy. The gun shield is extremely rare. During the First World War, these guns were operated at Fort Carlisle (Davis) and Fort Camden (Meagher) to counter motor torpedo boats attack and covering fire for the minefield. Today, four of these guns on No. 3 Bastion are used for ceremonial purposes by the Defence Forces as the Cork Harbour Saluting Battery.


Defensive Electric Light (DEL)

Gun Park Spike IslandManufacturer: Siemens, London, England
Dates in Irish Service: 1938-1947

This searchlight was manufactured in 1898 by Siemens of London. It emitted a light beam equivalent to two billion candles and had a range of 3,650 metres. The light from the burning of two carbon rods was concentrated and focussed by a highly polished mirror. The three searchlights on Spike Island and the two at Fort Davis were controlled from the Battery Observation Post on Spike Island to ensure that they operated in tandem with the guns. This enabled the 6-inch guns to operate at night.


Bofors 40mm/L60 Anti-Aircraft Gun

Calibre 1.6 inch (40mm)
Effective Range: 3,500 yards (3,200m)
Max Rate of Fire: 120 rounds per minute
Max speed of Target: 500 mph (804 kph)
Manufacturer: AB Bofors, Sweden.
Dates in Irish service: 1939 – 2001

This gun was made for air defence, ground and naval use and both had a calibre of 40mm and a barrel length of 60 x the calibre hence L60. Spike Island was the first location outside Dublin, where anti-aircraft guns were deployed by the Defence Forces during the Emergency (Second World War). The Reserve Coast Defence Artillery unit on Spike Island was reconstituted in 1979 as an anti-aircraft battery and the gun displayed here was part of its inventory.


Bofors 40mm/L70 Anti-Aircraft Gun and Fly Catcher Radar

Calibre 1.6 inch (40mm)
Effective Range: 3,500 yards (3,200m)
Max Rate of Fire: 120 rounds per minute
Max speed of Target: 500 mph (804 kph)
Manufacturer: AB Bofors, Sweden.
Dates in Irish service: 1939 – 2001

By the end of the Second World War, jet aircraft had so increased the speed of attack that the L60 could not get enough rounds into the air to effectively enagage the aircraft before it had flown out of range. The Bofors 40mm/L70 is an up-rated version of the L60 and this new weapon was now capable of electrically controlled automatic fire.
The “Fly Catcher” radar system was a self contained all weather integrated search radar and fire control system. It could track up to sixteen aircraft simultaneously within a range of up to twenty kilometres. The radar provided accurate targeting information to its accompanying battery of six L70 guns each of which could be deployed up to two kilometres from the radar.
The “Fly Catcher” was acquired from the Royal Netherlands Air Force in 2001 and last used in 2011.


Leyland Retriever, Machinery Lorry

Gun Park Spike IslandManufacturer: Leyland Motors, England from 1939 -1945
Weight: 7.7 tons
Speed: 30 mph (48 kph)
Drive: 6-wheeled, 4-wheel drive
Petrol Engine: 6 litre 4 cylinder, 73 brake horsepower (bhp)
Dates in Irish service: 1939 – 1970

The lorry that is displayed here was purchased in 1939 by the Defence Forces at a cost of £1,312. Its purpose was to carry out maintenance and repairs in the field with the Ordnance Corps in the Southern Command. The lorry is fitted with a lathe, pedestal drill, portable forge and grinder. The lorry has its own generator and could also use an external electricity supply.


17-pounder Anti-Tank Gun

Calibre: 3-inch (76.2mm)
Effective Range: Up to 10,000 yards (9,114m)
Manufacturer: Royal Ordnance Factories
Dates in Irish service: 1949 – 1962

Developed in World War Two to counter new and heavily armoured German tanks, the 17 Pounder proved a battlefield success, variants serving both as a towed artillery piece and a tank-mounted main gun on allied tanks such as the Sherman Firefly.  The only Allied tank capable of defeating the feared German Tiger and Panther tanks during the battle for Normandy.  The 17 Pounder could also be flown into battle by a heavy glider.  The Irish Army used the 17 Pounder from 1949 to 1962.

The QF 17 pounder’s special armour piercing shells were capable of penetrating 130mm of sloped armour at almost 1000 meters. Requiring a crew of at least seven men, the 17 pounder outperformed all other Allied anti-tank guns from 1943. QF 17 Pounder anti-tank guns were the most powerful guns ever employed by the Defence Forces.


25-pounder Field Artillery Gun

Calibre: 3.45-inch (87.6 mm)
Range: up to 13,123 yards (12,000 metres)
Manufacturer: Royal Ordnance Factories
Dates in Service: 1949 – 2009

During the 1930s, the 18-pounder was replaced by the 25-pounder. This larger gun became the standard field gun of the British artillery forces during and after the Second World War. A quantity of 25 pdr guns was purchased by the Irish Defence Forces in 1949 and became the mainstay of the Artillery Corps until replaced by the Air Deployable 105mm Light Artillery gun in 1980. The 25-pounder remained in service with the Reserve Defence Forces until 2009 and is now used only for ceremonial purposes.


Brandt 120 mm Mortar

Manufacturer: Societe Nouvelle des Establisséménts, Brandt, Paris.
Calibre: 4.72” (120mm)
Ammunition types: High explosive, smoke and illumination
Range: up to 7,376 yards (6,745 m)
Dates in Irish service: 1953 – 2004

This mortar served with the Heavy Mortar Batteries in all the Irish Army Field Artillery Regiments. Troops equipped with this weapon were deployed to the Congo, Cyprus and Lebanon where they provided illumination fire missions in support of UN operations. The 120 mortar was mounted on an integral wheeled carriage that was normally towed by a Land Rover or Nissan Patrol.


Bofors 90mm Recoilless Anti-Tank Gun

Manufacturer: Bofors, Sweden
Weight: 260 Kg (573 lbs) with carriage
Sighting: Open, telescopic and 7.62mm ranging weapon
Ammunition types: Anti-tank and anti-personnel and training rounds
Range: 1,000m (1,120 yards)
Dates in Irish service: 1960 – 1990

The 90 mm anti-tank gun was capable of being man handled across rough terrain into a firing position by its five man crew. It was a very effective anti-tank weapon, however, the dramatic back blast from the gun quickly gave away its position to the enemy resulting in heavy counter fire.


Bofors 40mm/L60 Naval Gun

Calibre: 1.6 inch (40mm)
Effective Range: 3,500 yards (3,200m)
Manufacturer: AB Bofors, Sweden
Dates in Irish Naval Service use: 1970 – 2004

This L60 gun was considered to be the most successful anti-aircraft weapon of the Second World War. From 1970 to 2004 this was the main armament on several Irish Naval Service vessels until replaced by the L 70 on a phased basis beginning in 2003. A hydraulic system was used to aim the L 60 and it could also be operated manually. Some were later converted to operate electrically. While the naval L 60 was very similar to its land-based counterpart its special mounting and hydraulic power made it a formidable weapon in both anti-aircraft and anti-surface roles.


4.5″ Howitzer

The Ordnance QF 4.5-inch howitzer was the standard British Empire field (or “light”) howitzer of the First World War era. It replaced the BL 5-inch howitzer and equipped some 25% of the field artillery. It entered service in 1910 and remained in service through the interwar period and was last used in the field by British forces in early 1942. It was generally horse drawn until mechanisation in the 1930s.

The QF 4.5-inch (110 mm) howitzer was used by British and Commonwealth forces in most theatres, by Russia and by British troops in Russia in 1919. Its calibre (114 mm) and hence shell weight were greater than those of the equivalent German field howitzer (105 mm); France did not have an equivalent. In the Second World War it equipped some units of the British Expeditionary Force in France and British, Australian, New Zealand and South African batteries in East Africa and the Middle East and Far East.


Proving Mortar

Proving Mortar

 

 

 

 


Scorpion – Combat Vehicle Reconnaissance Tracked, CVR(T)

Manufacturer: Alvis, Coventry, England
Armament: 76mm cannon, 7.62mm co-axial machine gun 0.5-inch HMG and 4 x smoke dischargers
Main Gun: Fired anti-tank, high explosive, smoke and illumination rounds
Armour: 14.5 – 12.7mm welded aluminium armour plate
Crew: Commander, gunner and driver
Speed / Range: 80.5 KPH, 644 Km road, 390 KM cross country
Engine: Jaguar J 60, 4.2 Lt six-cylinder petrol
Dates in Irish service: 1980 – 2016

The Scorpion, Combat Vehicle Reconnaissance Tracked, CVR(T) gave the Defence Forces an armoured tracked vehicle that provide firepower, reconnaissance, protection and mobility with an enhanced cross country capability.


PANHARD AML 90

AML-90 was designed for carrying out rearguard duties and substituting for the heavier tanks and armoured fighting vehicles deployed in a more linear fashion at the front. Its major feature was its DEFA low-pressure 90 mm rifled gun, which permitted the anti-tank and reconnaissance elements. It was specifically designed for vehicles weighing under ten tonnes in mind, and the successful mating of such a large calibre weapon on the five-tonne AML chassis was then considered a major engineering achievement. This made an AML-90 exceptionally well-armed in proportion to its weight, and offered the advantage of easier recoil loads over conventional tank cannon.


6” MK VII BREECH-LOADING GUN

The 6-inch guns entered British service at the start of the 20th Century and saw use in naval, coastal and land artillery roles.  Three of these guns were located on Spike Island from circa 1902. Two were mounted operationally in open emplacements on Number 3 Bastion and the third for training purposes in the Drill Shed. In 1938, the Irish Army’s Coastal Defence Artillery took over Spike Island’s 6” guns.  In 1943 the two guns were relocated to their present underground emplacements under Numbers 2 and 4 Bastions.  Spike Island’s 6” guns were manned continuously throughout the ‘Emergency’ period.

 

Post-war, the role of Coastal Defence declined, with eventual disbandment and re-rolling to air defence artillery.  Spike Island’s 6” gun on Bastion 2 saw a new lease of life with the arrival of the Prison Service in 1985, with staff and inmates working on its restoration,  a task which was taken up by a team of ex-island residents and volunteers in the years after the prison closed. Today both guns 1 and 2 are open to the public and are kept in a high state of restoration, and continue to impress the visiting public. The 6” guns are the largest surviving examples of breech-loading guns in Ireland.​

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Prison Riot – 1985

Prison Riot Spike IslandIt was a night like any other in August 1985 in the then island prison on Spike Island.  The prisoners had returned to their dorms for the night, and all was calm.  But an argument quickly escalated, and suddenly the prisoners were escaping from their dorms in numbers.  A major riot was underway, and the prison would never be the same again.

The prison officers had to flee the fortress for their safety, as the prisoners broke into the maintenance stores and armed themselves with makeshift weapons.  The prison officers managed to make it to a boat, but the island residents had a scary situation when they found the prisoners between them and the island’s pier.  They negotiated safe passage and waited in a hut for a boat to take them to safety.

Prison Riot Spike IslandThe prisoners now had full control of the island, having broken out of the fort.  But the nature of the island prison was proving effective, and they did not attempt to swim the cold and dangerous waters in Cork harbour.  Instead, they broke back into the fort, hot-wiring a JCB digger and blocking up its entrance.  Buildings were set on fire, including their own accommodation block and the records room.

Gardaí (Irish Police) were dispatched from Cobh in a boat, but were met with overwhelming opposition and were forced to lie low.  Detective Garda Jack Hartnett frantically phoned for reinforcements.  He recalls the scene;

“It was bedlam,” he says. “The first guards who went out couldn’t do anything. The prisoners were all over the island and the situation was potentially very serious.  They had set fire to buildings and armed themselves, and with over a hundred prisoners this was a deadly scenario”.

Prison Riot Spike IslandThe riot continued for hours before the prisoners climbed on top of the fort ‘Mitchel hall’, where they remained for most of the next day.  This allowed the prison officers to return with reinforcements.  The army also arrived on the island with an armed unit, but they were wisely turned away, as the situation was de-escalating and did not need further provocation.

By the end of the next afternoon, the prisoners surrenders, and the riot was over.  Fortunately no one was seriously injured in the riot, but the beautiful ‘A’ block which had stood since 1820 was burned out, as was the west side of the ‘B’ block.

There was much finger-pointing after the riot, and it was generally agreed the accommodation in the converted fortress was unsuited to prisoners.  There were no cells as such, and inmates were accommodated in the dormitories, which had been used for Naval Service personnel only shortly before.  The riot led to the construction of formal 4-man prison cells in the ‘C’ class block, which remained in use until 2004 and can be seen by visitors today.  Visitors can also see the ‘Riot exhibition’, which tells the story.

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John Mitchel

John Mitchel was born near Dungiven, County Derry in 1815. He became a leading member of the ‘Young Irelander’ and the ‘Irish Confederation’ movements. He was a solicitor, an Irish nationalist activist and a political journalist. He was an outspoken critic of British rule in Ireland, in particular the government’s lack of reaction to the Irish famine.  Ireland simmered and was angry and ready for rebellion in the 1840s and Britain was fearful that the rousing Mitchel could be the spark to light a revolutionary fire. London’s Punch magazine emphasised his international standing by portraying him as an Irish monkey, challenging the Great British Lion. While the Times thundered against him which only served to raise his profile further. When Mitchel produced his own republican newspaper, the United Irishman, it sold out immediately and readers hung on every word. In order to silence Mitchel, to rob him of his heroic status and his possible martyrdom, the British government passed the 1848 Treason Felony Act, which sought to treat treason as a common crime. Mitchel was arrested and tried.

John Mitchel Spike IslandIn 1848 he was the first person to be convicted of sedition under the ‘Treason Felony Act’, a sentence created with him in mind.  He was sentenced to fourteen years transportation and at the time Bermuda in the Caribbean was one of the main destinations.  Following his conviction in Dublin on the 27th of May 1848, Mitchel was transferred under military escort to Spike Island on H.M.S Scourge, where he was incarcerated for three days, and on to Bermuda and eventually Australia in 1850. During his journey, he began to write his famous ‘Jail Journal; or ‘Five Years in British Prisons’, his diary of his experiences from Dublin and on Spike Island until his arrival in New York on the 29th of November 1853.

John Mitchel Spike IslandHis journal was first published in book form in New York in 1854. The book was highly influential at the time as many readers were shocked to hear of the ‘dark age’ conditions in which some prisoners were still being held on Spike Island, despite some efforts at reform in other prisons within the Victorian penal system. There was a loud call for reform which started right here on Spike Island and would be exported to the world, called the ‘Spike Island system’.  But the books biggest impact came in its contribution to the cause of Irish nationalism.  The style of Mitchel’s prose was well received by the influential higher classes and it prompted many to reconsider their stance on the impact of the Empire and the just cause of national sovereignty and freedom.  The Jail Journal has been described by the Oxford Dictionary of Biography as one of the ‘classics of Irish revolutionary writing’ and by others as ‘the manual of Irish nationalist philosophy’.  Though it was many decades later that Ireland finallly won its freedom, several members of the 1916 generation cited Mitchel as their inspiration.

Patrick Pearse declared the Jail Journal to be ‘the last of the four gospels of the New Testament of Irish nationality, the last and the fieriest and the most sublime’. Eamon De Valera revered Mitchel and in 1943 when he imagined Ireland as ‘the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit’, he too was delving into Mitchel’s Jail Journal for his inspiration.

Mitchel returned to Ireland for the first time on the 17th of February 1875 to contest the Tipperary by-election to become a Member of Parliament in the British House of Commons. He won the election however he was not allowed to take his seat as he was a convicted felon. The election was rerun on the 12th March and he won again by an even greater majority, yet he was deprived of his seat.

He died on the 20th March 1875 in Newry at the age of sixty. The fort on Spike Island was renamed from Fort Westmoreland to Fort Mitchel in his honour in 1951, and some GAA clubs In Ireland and sites in America bear his name.

John Mitchel Spike IslandIt has rightly been pointed out by modern historians that Mitchel besmirched his name by being an advocate of the slave trade in America’s southern states.  He supported the Confederates in the American Civil War, and two of his sons died fighting against the Union.  His support was at odds with his ardent belief in the right of Irish people to assert their freedoms, and shows the often complicated status of historical figures.  While abhorring his support of the Confederate states and the act of slavery, his contribution to the cause of eventual Irish freedom is well established.

The copy you will see of John Mitchel’s diary on display in the John Mitchel room on Spike Island is a rare first edition of ‘Jail Journal’, while a commissioned video tells the story of his fascinating life.